Anne Rice on Writing

This is a clip from Anne Rice's interview on the show "InnerViews."  As she points out elsewhere in the interview, some authors count on having an editor to polish everything, cut, mold, whatever.  She doesn't and when she submits a manuscript to her editor, all she's looking for is feedback, not editing.  Every writer is different with no two having exactly the same writing techniques.  Not every author is capable of effective self-editing because some (maybe most) can't step back enough from the story to view it objectively, especially while he or she is in the midst of creating the story.  The way I do it or Anne Rice does it is not necessarily the "right way."  The only "right way" is the way that works for you as a writer.

Anne says she does not work in drafts, that she goes back over each chapter until it's the way she wants it and then moves on.  I do the same thing, but each re-work of a chapter I consider to be a "draft."  And because of something that may happen in, say, chapter 12, I sometimes do find myself going all the way back to chapter 1 and adding or altering material there.

The Adulteration of a Genre

I used to have my novel, A Death on the Wolf, listed in the "coming of age" category on Amazon.  But then I started looking at the best seller list for coming of age.  The image to the left is a screen shot of the current #1 and #2 best sellers in coming of age, and if either of those books are actually coming of age novels, I'll eat my shorts.  All you have to do is read the descriptions to see that these are nothing but romance novels, plain and simple.  In fact, the top 20 spots on the coming of age best seller list are dominated by romance novels.

Maybe the whole notion of "coming of age" has changed, and if it has, then clearly my novel is not a coming of age tale.  For me, a true "coming of age" novel is the likes of A Catcher in the Rye, A Separate Piece, To Kill a Mockingbird, or A Gentleman's Game.  Coming of age stories should be about youngsters (and I personally would set a cap here of late teens) coming to grips with the realities of adulthood as they struggle to leave their childhood behind.  Something tells me The Bet and The Love Game would come up short along those lines.  But if that's the sort of story people are looking for who are looking for a "coming of age" story, then they would be very disappointed in my novel.  Hence, it is no longer categorized on Amazon as "coming of age," which, in my opinion, is a shame.

Square Books

When I was in law school at Ole Miss I spent countless hours and countless dollars at Square Books.  Seems odd to see my novels for sale on their web site.

Responding to a Rejection Letter

What writer worth his or her salt can't totally relate?

(Warning: Do not watch this if you are offended by profanity.)

The Taking of Trevor Ward

Jake Bond is not your ordinary private eye. A retired army colonel, Jake has a "gift" inherited from his father and honed throughout his years in Military Intelligence. High-powered attorneys from around the country have made Jake rich paying him to do the impossible--and he always delivers. Even the FBI and state law enforcement agencies call on Jake Bond for help when all else fails. But when a routine assignment from a divorce lawyer sends Jake to the foothills of the Smoky Mountains, he suddenly finds himself in the middle of nowhere and up to his neck in a child abduction. When an AMBER Alert goes out naming Jake as the kidnapper, the stakes get personal, and Jake is determined to get to the truth and find the real kidnappers and their motives before it's too late.

My latest novel, The Taking of Trevor Ward, is now available exclusively on Amazon.

Ordinary Life is Enough

"The ordinary middle class life was enough to write about." --John Updike

When I began writing fiction in the early 90s, I was fortunate enough to make the acquaintance of John Updike who offered me invaluable tips and encouragement.  This quote from him during an interview he gave about  five years before he died sublimely captures his view of writing fiction, and to a large measure, mine as well.

Nelson's Car

The car Nelson gets for his 16th birthday in A Death on the Wolf is a 1962 Studebaker GT Hawk. Here is what it looks like.

Just reminiscing

On July 21, 2011, I posted the following on my FB author page. I had just started writing the novel that would become A Death on the Wolf.

I re-learned a valuable lesson tonight. I have had the idea for a story in the back of my mind for the past two years. I've sat down countless times to start the writing, and each time came up dry. Tonight, instead of once again trying to force it, I just sat down at the keyboard, cleared my mind, and let the story unfold in my minds eye. But it wasn't the story from the back of my mind over the past two years. It was something new and different...and better. Object lesson: Don't try to write to a story, write from one. Listen to that inner muse; don't try to force it to listen to you.